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UNA-Canada strives for a better world. We focus on the UN issues of peace and security, sustainable development, human rights, and global cooperation. We work directly with youth and educators, building the capacity of young Canadians able to effect positive global change. We foster Canadian support for the UN and the values that drive it - freedom, equity, tolerance, non-violence, respect for nature and shared responsibility. We also help define foreign policy priorities for the Canadian Government. OUR FUNDS: General - supports national projects; Membership - is both national and local; Projects - supports specific national projects/programmes; Reserve - invested, providing ongoing national support; Branch - supports local volunteer-driven initiatives.
The Entertainment Community Fund (formerly known as The Actors Fund) fosters stability and resiliency, and provides a safety net for performing arts and entertainment professionals over their lifespan.
HATN works with communities in Mali, West Africa, and in Bolivia, South America. Among our recent activities are: - construction of two community health centers/hospitals and related support (financial, equipment, medical know-how); - implementing free medical/dental clinics and check-ups; - construction of a maternity centre and related support; - support of 3 schools with two more school construction projects in progress; - implementation of numerous water filtration systems, public latrines and educational programs on hygiene/sanitation practices; and, - education programs on irrigation and livestock management. A volunteer-based organization having no employees, HATN has been able to achieve low administration costs without sacrificing organizational effectiveness. In 2012, administration costs were less than 5% of total expenditures. To learn more, please visit www.hatn.org.
The United Nations Women’s Peace and Humanitarian Fund is an innovative partnership empowering local women to be a force for crisis response and lasting peace. Supporting local women to prevent conflict, respond to crises and seize key peacebuilding opportunities. WPHF galvanizes support from across the globe to support the efforts of women working on the frontlines of the world’s most intractable conflicts. From Jordan to Burundi, Ukraine to Colombia, we aim to amplify the voices of women and support their vital work to prevent conflict, respond to crises, and accelerate peace in their communities.
Founded in 2006 by Peter Ruparelia to unite and promote diversity within the Christian community; Voices Of the Nations seeks to establish itself as the leading multicultural Christian music festival that showcase’s the brightest and the best in fine art, music and dance. With over 6000 people in attendance each year Voices of The Nations continues to grow and has become a integral part of Canada Multicultural Christian music scene. Voices of the Nations works with various multicultural groups, organizations, church’s and artist to spread the gospel of Christ to all nations throughout Canada and worldwide. To showcase and unite Christian artist from all denominations and cultures, by using their gifts and talents to reach the multitude by spreading the gospel.
Full Circle is the producer of the annual Talking Stick Festival and creates opportunities for Aboriginal artists, writers and performers to express the reality of First Nations experiences and to work in harmony with First Nations traditions while engaging contemporary, interdisciplinary theatrical techniques. Full Circle provides an environment that fosters the development of skills, ideas, exploration, and collaboration.
As members of the Black theatre community, we stand together to help protect Black people, Black talent and Black lives of all shapes and orientations in theatre and communities across the country. Our voices are united to empower our community through activism in the pursuit of justice and equality for the betterment of all humanity. We will not be silent. We will be seen. We will be heard. We are here. Join us.This call to action is just the beginning. It was the latest manifestations of police brutality that galvanized Black Theatre United into being. With roots reaching into all 50 of the United States this coalition can harness invaluable political scope and influence. To elevate a cause or to overturn policies that target black people in any one state or community, the group will draw on members with local connections to use their visibility and influence for good in theater and on the national stage.